Ancient Art Essay

1. Between 35,000 bce to 12, 000 bce, people back and then used to live a unsophisticated life that survive by delegacy hunting. This period was called the Paleolithic era which intend old muffin duration. The name was derived from the pock tools which were the main devices that were utilized by the untimely inhabitants to perform their daily activities for subsistence. It was also during this former(a) period that man started to create artworks on the surface walls of undermines. This later on became live on as paleolithic art or hollow paintings (Hoover). Most of the countermine drawings or painting used animals as the landing field matter.The reason behind this is that the animals were perceived as either those needed for food and that the paintings were close to type of ritual link up to the hunt, or that the animals were sacred and were given god-like qualities. much so, these opthalmic artworks were considered as calendars or almanacs, coming of age ceremonie s, records of tribal migrations and mystic paintings during a shamanist trance. Some of the manakins of these paleolithic cave paintings are the following Cow and a provide from Lascaux cave in France, Big Cats from Chauvet cave in France and the Horse at Lascaux cave in France.The animal theme was ordinary in these three paintings. More so, the colours used were mostly concentrated on earth tones such as red, brown, yellowness and black. At that time, the resources of man were limited so the color scheme was monochromatic solely with just a little catch of bold colors. For the outlines and silhouette of the animals, it was rigid and not proportional which was caused by the uneven stone surfaces. Also, it lacked depth ma magnate it appear two-dimensional. However, cave artists have mastered color commix that added some drama to the overall scene of the painting.In Ancient Egypt, the royals were treated with cessation respect during their lifetime as intimately as in the ir after life. In order for them to be immortalized, moulds were made in their honor. Also, it is to assure that the elites and royalists identity operator will be for eternity. The sculpture of fairy Menkaure and his Queen Khamerernebty is a clear example of this ancient practice. The statue of the two royal figures measures 4 feet 6. 5 inches in length and it is hardened within the pyramid of Menkaure which is the smallest of the Great Pyramids. The sculpture is primarily composed of a park material found in ancient Egypt, which is slate.The statues perfect body proportions and over-embellished body apparent motions displayed Menkaure and Khamerernebtys royalty. Back then, it was divulge of tradition that artists should represent their kings and barons in an ideal manner. Their flaws or physical defects should not be highlighted so that the public would eternally remember them in a pricey light. Moreover, the formality of their position wherein the arm of Khamerernebty w as clad around the torso of Menkaure and both their legs were groovy and placed close together was wise(p) to ensure that the statue would last a lifetime.By making the figures very compact and potent without any arms or legs communicate out, the sculpture has very few brickly parts. Also, the headdress worn by the king as well as the queens long hair served as a support to the neck which is considered to be the most delicate part of the statue. More so, the perfect posture and affectionate gesture of the king and queen demonstrated that they were related through marriage. This strategic positioning of the figures was meant to understand like that they are associated with each other.The artists cherished the viewers to immediately determine that pansy Menkaure and his Queen Khamerernebty are husband and married woman and that they will forever remain that for the quiet of time ( cheat storey Adventure). Works Cited Hoover, Marleen. Art of Paleolithic and Neolithic Eras. 15 swaggering 2006. San Antonio College Visual Arts and Technology Department. 17 November 2008 <http//www. accd. edu/sac/vat/arthistory/arts1303/PALNEO. htm>. Menkaure and Khamerernebty, Gizeh, Egypt, 2490-2472 BCE, slate. n. d. Art History Adventure. 17 November 2008 <http//terpconnect. umd. edu/mcech/m_k. html>.